Mr Anthony
NB: The following essay contains plot spoilers regarding the play’s ending.
The Winter’s Tale is a play about a man who believes a lie of his own making and is outraged when others won’t believe it too. Leontes’s confidence in his wife’s infidelity is, unlike Othello’s, entirely self-generated; indeed, Emilia’s famed description of jealousy as 'a monster begot upon itself, born on itself' is more fitting of Leontes’s condition than that of Othello, who requires three acts of careful priming by Iago before exploding with the ferocity Leontes achieves in his first scene. The refusal of Leontes’s court to support the false narrative of Hermione’s adultery reveals a political microclimate (unusual in Jacobean theatre) devoid of sycophants and schemers, devoted instead to truth and plain speaking.
The Winter’s Tale is a play about a man who believes a lie of his own making and is outraged when others won’t believe it too. Leontes’s confidence in his wife’s infidelity is, unlike Othello’s, entirely self-generated; indeed, Emilia’s famed description of jealousy as 'a monster begot upon itself, born on itself' is more fitting of Leontes’s condition than that of Othello, who requires three acts of careful priming by Iago before exploding with the ferocity Leontes achieves in his first scene. The refusal of Leontes’s court to support the false narrative of Hermione’s adultery reveals a political microclimate (unusual in Jacobean theatre) devoid of sycophants and schemers, devoted instead to truth and plain speaking.




