Wednesday, 15 October 2025

The Greatest Literary Dog is ...

Thanks so much to everyone who voted in last week's poll to determine which literary dog SPS readers think is the greatest. Your votes were spread widely between the different candidates, and we'll be bringing you the results in a moment - but first of all, a role call of shame: the dogs we forgot ...

Mrs Cummings was kicking herself: 'I cannot believe I forgot about Gaspode! Terry Pratchett was famously a cat person but Gaspode is a delight. Gaspode possesses human-level intelligence and the ability to speak, as well as an extensive collection of diseases (including 'Licky end' which is only found in pregnant sheep). He is enamoured of the werewolf, makes filthy jokes and is a 'thinking brain' dog for Foul Ole Ron. A canine Dickensian urchin he appears in various books, but is best in Men at Arms.' 


Wednesday, 8 October 2025

Great Literary Dogs ...

This week, in a post we arrived at by a rather circuitous route*, we're focussing not on books of the week, but on dogs. We asked staff and departments to nominate their favourite dogs in literature, and here are their responses.  

Mr Hager (whose own dog, Cormac, is named after the late, great American novelist Cormac McCarthy) starts us off:  'Can I suggest Mr Bones from Paul Auster’s Timbuktu?  


It’s been ages since I read it but it’s pretty ambitious to do a whole novel from the perspective of a dog.  Mr Bones and his master (who is old and ailing) travel to Baltimore in a quest to find his master’s old English teacher.  The novel meditates upon death, the afterlife, and the state of America.'  

Wednesday, 1 October 2025

Black History Month

Today's books of the weeks have all been chosen in relation to Black History Month: Standing Firm in Power and Pride.

Life on Mars by Tracy K Smith
Recommended by Mr Hager


Life on Mars,Tracy K Smith’s 2011 poetry collection, is a remarkable, versatile work which takes ‘space' as its central metaphor, alongside the work of David Bowie and great science-fiction films of the past. She pushes the boundaries of what ‘space’ can mean, and sues it to ask many questions about life and death, about religion and the quest for meaning in life, about the direction that we as a human race are moving in - as well as specifically the direction of travel in America - and about the best and worst of human actions towards each other.