Lady Brett Ashley: A Hemingway Anachronism
by Ben Ballard
The ‘roaring twenties’ are often seen as the coming of age for women, who were liberated to wassail and flaunt their sexuality. Despite its contrasting intentions, the Prohibition era in the United States saw the transformation of women across the United States; the 1920s woman smoked, drank, voted and cut her own hair. However, this salvation of female sensuality became only another reason for 1920s men to condemn the nature of women to the core. These notions of misogyny were inherited by contemporary popular culture and particularly by the male-dominated field of literature. Critically-acclaimed authors such as T.S Eliot, Sherwood Anderson and F. Scott Fitzgerald harnessed a wide range of ‘femme fatale’ or just simply ‘bitch’ female characters in their work to express their misogynistic views but no author epitomised this era of chauvinist literature quite like Ernest Hemingway.








